[from the opening:] "So much of our commercial and potentially-subversive art today is being developed with software application programs that encourage the liberal usage of Modernistic practices (particularly sampling, collage, technological gimmickry and other "engineered" behaviors), we tend to forget that what we are doing is not necessarily all that new and that if we're looking for deep structural changes in the art work of today as opposed to even ten or twenty years ago, then we're more likely to find these changes in the mediums through which contemporary art gets distributed and how the emerging network culture radically transforms the way in which we participate in the dual worlds of art-making and art-appreciating."